Jan 02, 2026  
2024-2025 Catalog 
    
2024-2025 Catalog [ARCHIVED CATALOG]

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ART 2503 - Ceramics I


Description
A studio-based course focused on the creation of ceramic objects through hand-built methods. Includes kiln and glaze techniques as well as a survey of historical and contemporary ceramics with a focus on hand-built objects.

Pre-Requisite
NONE

3 Credit Hour(s)

Contact Hours
30 lecture contact hours; 60 lab contact hours

4.67 Faculty Load Hour(s)

Semesters Offered
Fall, Spring

ACTS Equivalent
N/A

Grade Mode
A-F

Learning Outcomes
Upon completion of this course, the students will:

  • Develop essential skills for creating art by correctly handling ceramic material through all stages of formation including drying, surface treatments, and firing processes.
  • Demonstrate an understanding of the elements and principles of design through analyzing the form and surface treatments of ceramic objects. 
  • Develop critical thinking and presentation skills through the production and critique of projects that explore expressive possibilities of course media. 


General Education Outcomes Supported
General Education Outcomes Supported

  • Students develop higher order thinking skills.
  • Students gain greater awareness of cultural perspectives.
  • Students develop effective oral communication skills.


Standard Practices
Topics List

Topics include but are not limited to the following:

  • Hand-Building: pinch, coil, hard slab, soft slab, press molding
  • Surfaces: dip, pour, brush, and spray application; glazes, underglazes, slips; sgraffito, mishima, inlay,
  • Firing: types of kilns, kiln environments, preparation of work and kiln for firing, loading/unloading a kiln, bisque firing, glaze firing
  • Ceramics: historical vessels, contemporary vessels, and vocabulary

Learning Activities

  • In-class clay fabrication, firing and glaze application
  • Outside of class research, fabrication, firing and glaze application
  • Sketchbook drawing
  • Critiques/Presentations
  • Vocabulary Assessments

Assessments

  • Work may be graded at various stages of the firing/drying process.
  • Work may be graded as individual projects, as assigned collections, or as a portfolio collection. 

Grading guidelines

  • A minimum of 70% of this course’s grade should be in-class ceramic projects with some variation allowed in terms of weight for sketchbook, quizzes, documentation, presentations, and critiques.



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